Best Picture, 1999

Awards presented March 26, 2000

The nominees were ... 
... when they should have been ... 
And the Oscar went to ...
American Beauty. It's not surprising that, confronted with the vivid and provocative work of such writer and director newcomers as Spike Jonze, Charlie Kaufman, Alexander Payne, Paul Thomas Anderson, and David O. Russell, the Academy should have wound up nominating such more-or-less conventional films as The Cider House Rules, The Green Mile, and The Insider, and the crowd-pleasing shocker The Sixth Sense, but that it should give the Oscar to perhaps the most unconventional of the nominees, American Beauty, was a hopeful sign. (One not fulfilled by the Academy's choices in years to come, however.) We can only speculate what Louis B. Mayer or Darryl F. Zanuck would have made of a film that spends a long time watching a plastic bag swirl in the breeze. The film also took awards for Kevin Spacey as best actor, Sam Mendes's debut as a film director, Alan Ball's screenplay, and Conrad L. Hall's cinematography. Even at the time, however, some critics found the film's tone a bit too acrid, and its treatment of women grating, an opinion that has become more widespread as time passes.

... when it should have gone to ...
Magnolia
An extraordinary tapestry of interconnecting stories, Magnolia teased and baffled some audiences, especially when frogs rained from the sky at the end of the film. But it gave a brilliant ensemble of actors some juicy roles to play, including Tom Cruise in what may be his best performance: as a narcissistic men's self-help guru. It earned Cruise a nomination, but really, the entire cast is working at peak form, including Julianne Moore, William H. Macy, John C. Reilly, Philip Baker Hall, Philip Seymour Hoffman, and, in his last screen apperances, Jason Robards. Oscar nominations also went to Aimee Mann for her song, "Save Me," and to Paul Thomas Anderson for his screenplay. Anderson deserved one for directing, too.



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