Best Sound, 1938

Awards presented February 23, 1939

The nominees were ... 

And the Oscar went to ... 
The Cowboy and the Lady, United Artists Studio Sound Department, Thomas T. Moulton, Sound Director. 

The original "high concept" movie: Producer Samuel Goldwyn, in need of a vehicle for contract players Gary Cooper and Merle Oberon, asked writer-director Leo McCarey for an idea. McCarey snatched the phrase "the cowboy and the lady" -- easy epithets for the screen personae of the two stars -- from thin air and improvised a story on the spot. Later, he realized he couldn't quite remember the plot he had told Goldwyn but managed to come up with an outline. Goldwyn then hired more than a dozen writers to try to produce a workable screenplay -- they included Alan Campbell, Dorothy Parker, Howard Estabrook, Gene Fowler, Lillian Hellman, Anita Loos, and Robert Riskin, and the credited screenwriters S.N. Behrman and Sonya Levien. The result never satisfied anyone, including the stars, and William Wyler, assigned to the project, managed to get himself fired from it and replaced by H.C. Potter. The film was a box-office bomb, but it won Moulton (or at least his sound department) his second consecutive Oscar. 
Merle Oberon and Gary Cooper in The Cowboy and the Lady 

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