Showing posts with label Cary Grant. Show all posts
Showing posts with label Cary Grant. Show all posts

Best Actor, 1946

Awards presented March 13, 1947
The nominees were ... 
And the Oscar went to ... 

At fifty-one, March was too old for his role as the serviceman returning from the war to his boring job at the bank, and the nomination really should have gone to Dana Andrews, whose role was richer and performance deeper. But March brought his usual integrity to the part, and won his second Oscar, fourteen years after the first. 

... when it should have gone to ... 

Ingrid Bergman and Cary Grant in Notorious 
This seems to me one of Grant's greatest performances, a conscious tamping-down of his famous charm and natural gift for comedy to become the icy, determined spy, while maintaining a steady ambiguity about the true nature of his feelings for Ingrid Bergman, the pawn in his attempt to uncover a spy ring. That the film received only two nominations -- admittedly deserved ones, for Claude Rains's supporting performance and Ben Hecht's screenplay -- remains one of the Academy's indelible blemishes. It began as a David O. Selznick production, but Selznick got so involved in his would-be blockbuster Duel in the Sun that he farmed the film out to RKO, and director Alfred Hitchcock wound up as his own producer. This left the film without a powerful backer: RKO was in financial difficulties, and was also releasing Samuel Goldwyn's The Best Years of Our Lives and Frank Capra's It's a Wonderful Life, and both Goldwyn and Capra had the kind of clout with the Academy that Hitchcock never possessed.    

Best Actor, 1940

Awards presented February 27, 1941

The nominees were ... 

... when they should have been ... 

It's a great performance, but is it really in a leading role? After all, Cary Grant gets the girl and is the catalyst for all that happens in the story. Stewart's Oscar here is thought to have been at least partly for his performance in Mr. Smith Goes to Washington the previous year, when he lost to Robert Donat. He had been in Hollywood since the mid-1930s, and was an MGM contract player. But it was Frank Capra at Columbia who made Stewart a major star by casting him in You Can't Take It With You and Mr. Smith. His career was interrupted by service in World War II, but he returned in 1947 for Capra's It's a Wonderful Life. He was nominated for that film and two more, but never won a second Oscar. He received an honorary award in 1985. 

... when it should have gone to ... 

It is, quite simply, one of the most fearless comic performances in movies: quick-witted, silver-tongued, unabashed in every respect. Grant could occasionally go over the top in this mode: Frank Capra let him do it in Arsenic and Old Lace, in which Grant pulls off double-takes that could snap a lesser person's neck and resorts once or twice too often to that whinny his characters sometimes do in exasperation. But director Howard Hawks knows how to keep things in balance, and Rosalind Russell knows how to keep Grant in check. They make a team that would be called peerless if we didn't have the evidence of Grant and Irene Dunne, or Grant and Katharine Hepburn, or Grant and Deborah Kerr, or Grant and Audrey Hepburn to show that it was a team with peers. He was, of course, unnominated, like all the rest of the gold in His Girl Friday.
Grant lays down the law as Walter Burns in His Girl Friday 

Best Actor, 1937

Awards presented March 10, 1938

The nominees were ... 

... when they should have been ... 
Spencer Tracy in Captains Courageous.  
Giving Tracy a permanent wave (Joan Crawford said he looked like Harpo Marx) and having him call the plummy-voiced English tyke Freddie Bartholomew "Leetle Feesh" may not have been the worst thing to happen to an Irishman since the Battle of the Boyne, but it certainly wasn't Tracy's best role or performance. Still, it won him his first Oscar. 

... when it should have gone to ... 
Cary Grant in The Awful Truth. 


Why Grant wasn't nominated for this movie, when his co-star Irene Dunne was, and even Ralph Bellamy landed a supporting actor nomination, is one of the abiding mysteries of the Oscars. Grant received only two nominations, for the tear-jerking Penny Serenade (also with Dunne) and the plodding None But the Lonely Heart. Eventually, the Academy got around to giving him a consolation prize, an honorary award, but his mastery of both screwball and sophisticated comedy was unequaled. In one of the funniest scenes of The Awful Truth, Grant, after a tiff with Dunne, grabs a hat and starts to leave, only to discover, and to demonstrate in several bemused moments before a mirror, that the hat isn't his. No actor on earth, not even Chaplin, could do more with a moment like that than Grant does. Even without a nomination, The Awful Truth was the film that launched Grant into major stardom.