Showing posts with label John Livadary. Show all posts
Showing posts with label John Livadary. Show all posts

Best Sound, 1946

Awards presented March 13, 1947

The nominees were ... 
And the Oscar went to ... 
The Jolson Story. Columbia Studio Sound Department, John Livadary, Sound Director. 

Larry Parks as Al Jolson in The Jolson Story 
Larry Parks plays Al Jolson, the cantor's son who became one of the twentieth century's legendary entertainers. It was a phenomenally popular biopic, but it's not seen much today because Jolson's performing style and the music he sang now seem corny and archaic, and his performances in blackface are downright offensive. In fact, at the time the movie was made, several producers passed on the project for those very reasons. But Columbia boss Harry Cohn had been a song-plugger -- he sang and played the piano in music stores to encourage people to buy sheet music -- back in Jolson's heyday, and was a big fan. The movie is full of biopic clichés and gives no hint that its subject was a temperamental egomaniac. Parks was dubbed in the musical numbers by Jolson himself, which is probably a major reason why the film earned John Livadary the second of his three Oscars. (The actual dubbing work was probably done by the credited sound technicians, Hugh McDowell and Richard Olson, but at this time the Oscar still went to the sound department head.) Parks, who received a nomination for best actor, was a Columbia contract player seen mostly in B-movies until the studio had trouble filling the role of Jolson: James Cagney and Danny Thomas turned down the part -- Thomas reportedly declined because the studio wanted him to have his nose bobbed -- and José Ferrer and Richard Conte were tested for it. Parks also starred in the sequel, Jolson Sings Again, but his climb to stardom was cut short when he was called before the House Un-American Activities Committee and admitted that he had been a member of the Communist Party. His subsequent career was confined to nightclubs, theater, and a handful of TV appearances, but he made one last screen appearance in a supporting role in the 1962 film Freud. 

Best Sound, 1934

Awards presented February 27, 1935

The nominees were ... 

And the Oscar went to ... 
One Night of Love, Columbia Studio Sound Department, John Livadary, Sound Director.

John Livadary
Livadary, who studied mechanical engineering at MIT,  began working in Hollywood in 1929. In addition to three Oscars and fourteen nominations, he also received four of the Academy's scientific and technical awards for innovations in sound.

One Night of Love was designed by Columbia to make a movie star of Grace Moore, a Metropolitan Opera soprano. Before making her debut at the Met as Mimi in La Bohème in 1928, she had appeared on Broadway in musical comedies with songs by Jerome Kern and Irving Berlin. Blond, slim, and beautiful, which opera singers tend not to be, Moore was thought of as a rival to Jeanette MacDonald, who had just moved from Paramount to MGM. In fact, Moore had made three MGM pictures in 1930 and 1932, but was lured to Columbia with the promise of a big PR campaign. Her subsequent films were not successful in establishing Moore's stardom, however, and she returned to the operatic stage. She died in a plane crash in 1948, and her life story became an MGM musical, So This Is Love, in 1953, starring Kathryn Grayson, who had replaced Jeanette MacDonald as the movies' reigning soprano. 

Grace Moore and Tullio Carminati in One Night of Love
Moore in One Night of Love