Showing posts with label Edmund Gwenn. Show all posts
Showing posts with label Edmund Gwenn. Show all posts

Best Supporting Actor, 1947

Awards presented March 20, 1948

The nominees were ... 

... when they should have been ... 

This happens to be one of the few Christmas movies I can watch without feeling like I've OD'ed on plum pudding, and Gwenn's lovely performance as Kris Kringle is one of the reasons. I'm not sure that it's really a supporting performance, but I suppose that John Payne, who gives a charming performance in one of his few memorable films, is nominally the lead actor. In fact, this is a movie with an abundance of wonderful character performances: Porter Hall as the Macy's in-house psychologist, who goes nuts himself trying to deal with Gwenn's claim to be who he says he is; Gene Lockhart as the judge who finds his re-election bid threatened by having to put Santa Claus on trial; William Frawley as the judge's cigar-puffing campaign manager; Jerome Cowan as the reluctant prosecuting attorney; Thelma Ritter in her film debut as a Macy's customer; and even Jack Albertson in a bit part as a postal worker. And, of course, nine-year-old Natalie Wood. But the whole thing would fall apart with Gwenn's skillful knowledge of when to turn the twinkle on and off, a skill that Richard Attenborough lacks in the unfortunate 1994 remake. 

... when it should have gone to ... 

Richard Widmark
This was Widmark's debut film, and it landed him not only an Oscar nomination but also a contract with 20th Century-Fox. It was also, in his own view, almost a kiss of death for his career: He believed that it handicapped him by typing him as a giggling psychotic who pushes old ladies downstairs, and he spent the rest of a career that lasted more than forty years avoiding roles that would have him playing the heavy. Still, he never got another role quite so memorable, but became a reliable second-tier star, one of those welcome presences like Sam Neill or Tom Skerritt or Scott Glenn, who can always be trusted to give a solid performance without stealing the thunder from the top-tier stars. On the other hand, who remembers that the nominal stars of Kiss of Death were Victor Mature and Brian Donlevy? 
Mildred Dunnock and Widmark in Kiss of Death

Best Supporting Actor, 1940

Awards presented February 27, 1941

The nominees were ... 

... when they should have been ...   

It was Brennan's third Oscar, and his record for most acting wins would stand until the 1968 awards, when Katharine Hepburn got the third of her record-setting four, followed by three-timers Ingrid Bergman (1974), Jack Nicholson (1983), Meryl Streep (2011), and Daniel Day-Lewis (2012). Brennan was nominated one more time, for Sergeant York. 

... when it should have gone to ... 

Edmund Gwenn in Foreign Correspondent
Only Alfred Hitchcock would have had the perversity (or the good sense) to cast George Sanders as a good guy and Edmund Gwenn as a villain in Foreign Correspondent. Gwenn, who would later become the Oscar-winning embodiment of Santa Claus in Miracle on 34th Street, plays a creepy little man who almost succeeds in shoving Joel McCrea off the Westminster Cathedral tower. And then, in the same year, he's the gentle but ineffective Mr. Bennet, saddled with a foolish wife and five marriageable daughters in Pride and Prejudice. Gwenn had established himself on the London stage in the early years of the 20th century, attracting the attention of George Bernard Shaw and appearing in numerous Shaw plays. He made his first film in 1916 and appeared in one of Hitchcock's early films, The Skin Game, in 1931. Before World War II he divided his screen appearances between England and Hollywood, but settled in the latter, where he became a major character actor in the 1940s, working steadily until a few years before his death in 1959. 
Mary Boland and Edmund Gwenn as Mr. and Mrs. Bennet in Pride and Prejudice