Showing posts with label Olivia de Havilland. Show all posts
Showing posts with label Olivia de Havilland. Show all posts

Best Actress, 1949

Awards presented March 23, 1950

The nominees were ... 
... when they should have been ... 
Olivia de Havilland in The Heiress. 

De Havilland and her Oscars
De Havilland had seen Wendy Hiller in the Broadway production of the adaptation of Henry James's novella, Washington Square, by Ruth and Augustus Goetz, and persuaded producer-director William Wyler to obtain the rights to the play and to cast her as the plain, shy Catherine Sloper. It won her a second Oscar in the last of her five nominations, but it also marked the end of the major phase of her Hollywood career. She was only thirty-three when she won for The Heiress, but she would be absent from the screen for three years, returning in 1952 to star opposite Richard Burton in My Cousin Rachel. She then made sporadic appearances in mostly forgettable films through the 1950s and early '60s. In 1964 she appeared in Robert Aldrich's Hush ... Hush, Sweet Charlotte, on which he had hoped to reteam Joan Crawford and Bette Davis, the stars of his hit What Ever Happened to Baby Jane? But after filming for a week, Crawford quit, claiming she was ill, but admitting to friends that she couldn't stand working with Davis again. De Havilland agreed to replace her. It was her last major film: Her later career consisted of guest appearances on TV series and cameo roles in such disaster movies as Airport '77 and The Swarm. 

Olivia de Havilland and Montgomery Clift in The Heiress
De Havilland's Catherine climbs the stairs at the film's end

Best Actress, 1946

Awards presented March 13, 1947
The nominees were ... 
And the Oscar went to ... 

After two previous losses -- one of them to her sister, Joan Fontaine -- de Havilland, one of Hollywood's most capable stars, must have seemed overdue for an Oscar. And this sentimental melodrama about a woman who gives birth to a child out of wedlock, gives him up for adoption, becomes a successful businesswoman, and is reunited with him later in life, was pure Oscar bait. Moreover, de Havilland had been off-screen for three years while she fought a celebrated legal battle that broke the studios' hold on actors, so To Each His Own was something of a grand comeback and the Oscar a sweet triumph.

... when it should have gone to ... 

The thing is, almost any Hollywood star who was neither too old nor too young could have played de Havilland's role in To Each His Own. But how many actresses, of whatever country, could have brought the beauty, the earth and fire to the role of Pina in Roberto Rossellini's neorealistic masterpiece about Rome under Nazi occupation? It was the film that launched her career and would eventually lead to an actual Oscar, for The Rose Tattoo. A more courageous Academy would have given it to her for this one. 

Anna Magnani as Pina in Open City 
Aldo Fabrizi and Magnani in Open City